One Morning

STORY BY Jeff Moore 

TEXAS | SEALY


Every waterfowler has a lifelong story. This is mine and only mine. My intent was to celebrate my sport with what I did, what I remembered, what I felt. My hope is that it elevates to a more profound statement in the end.

One morning,

I followed my father down a bar ditch between the rice fields near Hockley, Texas and sat still. Too young for a gun. Too poor for decoys. Just hoping a specklebelly, snow or blue would fly over low enough so my father could shoot his Remington Sportsman 48. 

One morning,

I bought a Faulk’s duck call for $4.95 at the neighborhood Ace Hardware and blew it on the walk home. 

One morning,

I shot my first duck — a hen shoveler, decoying into a small lake near Sealy, Texas. 

One morning,

I entered a duck-calling contest, did not squeal and came in second. 

One morning,

the law said I could not shoot a canvasback. 

One morning,

the law said I could shoot two. 

One morning,

I painted a duck stamp. 

One morning,

I waded in the decoys and watched in slow motion as my Chick Major’s duck call insert dropped in the water. 

One morning,

I hunted snow geese in dense fog on a rice field called “Yankee Stadium,” next to an old man wearing a P.E.T.A hat. (People. Eating. Tasty. Animals.) 

One morning,

I hunted on a national wildlife refuge. 

One morning,

I thanked a veteran with a hunt. 

One morning,

I mastered the northwest wind. 

One morning,

I watched an 11-year-old Labrador with two ball-less hips chase down a crippled mallard in pure muck. 

One morning,

I waded in Arkansas’ flooded timber. 

One morning,

I canoed on the Delta Marsh. 

One morning,

I passed a school of dolphins on the way to the blind. 

One morning,

I witnessed the golden age of waterfowling for just an instant as a flock of 3,000 birds decoyed to our North Dakota field. 

One morning,

I broke the golden rule of waterfowling: Never climb a barbed-wire fence in your waders. 

One morning,

I grabbed the guns as our overloaded 14-foot jon boat sank. 

One morning,

I felt the masterworks of the Ward Brothers and Charles Walker in my hands. 

One morning,

I helped pay to save the roof of Charlie Perdew’s old river rock home in Henry, Illinois. 

One morning,

I returned to my childhood hunting lease in Hockley, Texas and found a gas station where I once shot snows, blues, and pintails. 

One morning,

I bought a 100-year-old duck club — with a storied history of grand hunts with Illinois governors and illegal baiting with barges of corn. 

One morning,

I photographed an eider decoy that someone bought at Sotheby’s for $767,000. 

One morning,

I couldn’t hunt without my roboduck. 

One morning,

I took my daughter hunting and watched her fall asleep in the blind. 

One morning,

I hunted with six of my best friends. 

One morning,

I hunted alone. 

One morning,

I realized I can’t be a waterfowler for just one morning. 

Related Stories

Interview with Caris Fawcett

Interview with Caris Fawcett

Her intimate knowledge of color and light are most recently felt in The Modern Huntsman Cookbook– an oil painting that lives framed in green leather and cream linen on the cover of a book celebrating meals made and earned in wild places. Over an evening of shucking oysters, Contributing Editor Chelsea Rosson chatted with one of Texas’ most beloved artists about her process to create the cover for Modern Huntsman’s first cookbook.
Hāloa

Hāloa

This Modern Huntsman Studio film, presented by Swarovski Optik and Olukai, documents Justin Lee's family and their efforts to restore a native Hawaiian forest on the Big Island, and pass down the values of conservation through generations. The film extends our cover story in Volume 13, where you can read more about Justin Lee and his family.
Conexión de Cazadores

Conexión de Cazadores

Our latest film "Conexión de Cazadores," presented by Moultrie, follows Juan Carlos Chacon and his journey to bridge a significant gap: the need to educate, inspire, and encourage the Latino community in Spanish.

Latest Stories

Interview with Caris Fawcett

Interview with Caris Fawcett

Her intimate knowledge of color and light are most recently felt in The Modern Huntsman Cookbook– an oil painting that lives framed in green leather and cream linen on the cover of a book celebrating meals made and earned in wild places. Over an evening of shucking oysters, Contributing Editor Chelsea Rosson chatted with one of Texas’ most beloved artists about her process to create the cover for Modern Huntsman’s first cookbook.
Hāloa

Hāloa

This Modern Huntsman Studio film, presented by Swarovski Optik and Olukai, documents Justin Lee's family and their efforts to restore a native Hawaiian forest on the Big Island, and pass down the values of conservation through generations. The film extends our cover story in Volume 13, where you can read more about Justin Lee and his family.
Conexión de Cazadores

Conexión de Cazadores

Our latest film "Conexión de Cazadores," presented by Moultrie, follows Juan Carlos Chacon and his journey to bridge a significant gap: the need to educate, inspire, and encourage the Latino community in Spanish.

Pin It on Pinterest