Making the Trade

Story by Byron Pace

Entire article can be found in Modern Huntsman Volume 8, Page 92

Bibliography:

[1] Charles A. Emogor, Daniel J. Ingram, Lauren Coad, Thomas A. Worthington, Andrew Dunn, Inaoyom Imong, Andrew Balmford. The scale of Nigeria’s involvement in the trans-national illegal pangolin trade: Temporal and spatial patterns and the effectiveness of wildlife trade regulations. Biological Conservation, 2021; 264: 109365 DOI: 10.1016/j.biocon.2021.109365

[2] Heinrich, S. et al. (2016) ‘Where did all the pangolins go? International CITES trade in pangolin species’, Global Ecology and Conservation, 8, pp. 241–253. doi: 10.1016/j.gecco.2016.09.007.

[3] https://www.traffic.org/news/significant-seizure-ahead-of-world-rhino-day-highlight-southeast-asias-key-trafficking-role/

[4] TRAFFIC is a Wildlife Trade Monitoring Network established in 1976 as a collaboration between the World Wide Fund for Nature (WWF) and the International Union for the Conservation of Nature (IUCN)

[5] World Health Organisation

[6] Roe, D. et al. (2020) ‘Beyond banning wildlife trade: COVID-19, conservation and development’, World Development, 136, p. 105121. doi: 10.1016/j.worlddev.2020.105121.

[7] Food and Agriculture Organisation of the United Nations (FAO)

[8] https://ourworldindata.org/fish-and-overfishing

Interview with Caris Fawcett

Artist Feature

Her intimate knowledge of color and light are most recently felt in The Modern Huntsman Cookbook– an oil painting that lives framed in green leather and cream linen on the cover of a book celebrating meals made and earned in wild places. Over an evening of shucking oysters, Contributing Editor Chelsea Rosson chatted with one of Texas’ most beloved artists about her process to create the cover for Modern Huntsman’s first cookbook.

Hāloa

Partner Films, Olukai, Swarovski Optik

This Modern Huntsman Studio film, presented by Swarovski Optik and Olukai, documents Justin Lee's family and their efforts to restore a native Hawaiian forest on the Big Island, and pass down the values of conservation through generations. The film extends our cover story in Volume 13, where you can read more about Justin Lee and his family.

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Chef Feature, Wild Food

Our new Wild Food Editor Chef Jesse Griffiths explores the vegetables and hunts that define Spring. From the hopes we have, to the imperfect realities that are bound to come our way, Jesse explores one of his favorite seasons and the simple pleasures it has in store for those who are willing to scavenge.

Interview with Caris Fawcett

Artist Feature

Her intimate knowledge of color and light are most recently felt in The Modern Huntsman Cookbook– an oil painting that lives framed in green leather and cream linen on the cover of a book celebrating meals made and earned in wild places. Over an evening of shucking oysters, Contributing Editor Chelsea Rosson chatted with one of Texas’ most beloved artists about her process to create the cover for Modern Huntsman’s first cookbook.

Hāloa

Partner Films, Olukai, Swarovski Optik

This Modern Huntsman Studio film, presented by Swarovski Optik and Olukai, documents Justin Lee's family and their efforts to restore a native Hawaiian forest on the Big Island, and pass down the values of conservation through generations. The film extends our cover story in Volume 13, where you can read more about Justin Lee and his family.

The Scavenger’s Season: Spring

Chef Feature, Wild Food

Our new Wild Food Editor Chef Jesse Griffiths explores the vegetables and hunts that define Spring. From the hopes we have, to the imperfect realities that are bound to come our way, Jesse explores one of his favorite seasons and the simple pleasures it has in store for those who are willing to scavenge.

Making the Trade

Interview with Caris Fawcett

Hāloa

The Scavenger’s Season: Spring

Interview with Caris Fawcett

Hāloa

The Scavenger’s Season: Spring

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