Extinction is Forever

Words By - Charles Post and Josh ‘Bones’ Murphy

Photography By - Ben Moon and Charles Post

PART I WORDS BY Charles Post

PART II WORDS BY Josh ‘Bones’ Murphy

PART ONE: EXTINCTION IS FOREVER

When salmon spawn and die, amazing things happen. The energy collected over months and years at sea is returned to the very waters they were born in. Their bodies feed the aquatic insects that will feed the next generation of wild salmon. Ravens, eagles, mink and bear will carry bits and pieces deep into the forest. Some of this will find its way into the soil to nourish the roots of ferns, alder and willow, which in turn will shade the creek, and help keep its waters cold through the summer months.

Some of the salmon will be carried into the ragged crowns of ancient cedar and spruce, where eagles have nested for generations. Young eaglets will be fed wild salmon so that they can grow quickly and strong. Some will end up in the canopy of these great trees, where entire gardens exist of wild berries, lichen, moss and liverworts. Below these towering gardens in the sky, wolves will pick up the scent of wild salmon. Coastal wolves have waited all year for their return. Like a bear, these sea wolves depend on these fish, so much so that their coats may turn a reddish hue from their salmon-rich diet. You see, wild salmon and the cool, clear waters that sustain them breathe life into these places. The fingerprints they leave behind reach far and wide across plants and animals, fungi and soil.

Back in 2010, I had a sticker on my car that read “No Pebble Mine.” As a young, excited freshwater ecology student at UC Berkeley, I soaked up lectures from professors who explained the mine in detail, what was at risk...

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Josh ‘Bones’ Murphy
Josh ‘Bones’ Murphy

About the Author

Josh ‘Bones’ Murphy
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Josh Murphy is an Emmy award-winning producer and director. He co-produced THE RIVER WHY (2010), produced HERE ALONE (2016), which won the Best Narrative film at the Tribeca Film Festival, and was a contributor to Academy Award winner Alex Gibney’s film THE INVENTOR (2019) about Elizabeth Holmes and the failure of Theranos. He directed, produced, and co-wrote the multi-award-winning feature documentary ARTIFISHAL (2019) that was commissioned by Patagonia founder and owner Yvon Chouinard, directed PURPLE MOUNTAINS about legendary snowboarder turned climate activist, Jeremy Jones, and directed THE SCALE OF HOPE that won the AICP award for Best Branded Film and is now archived in the permanent collection at the MoMA. He recently won an Emmy for the Netflix Original series YOU ARE WHAT YOU EAT: A Twins Experiment, and is co-directing and producing a film for Netflix about plastics and human health with Oscar winner Louie Psihoyos (THE COVE, RACING EXTINCTION, THE GAME CHANGERS) and co-founded LAND AND SEA FOR ALL—a non profit whose mission is to connect people and planet through better storytelling—and is directing and producing a number of impact driven films that focus on direct action at the nexus between mission aligned brands, nonprofits and foundations. His focus on impact-driven narratives that land at the intersection of humanity and the environment continues to animate his filmmaking. Jacques Cousteau was his childhood idol, and through him, he discovered a love for film and the environment.
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